His exposure to these pieces and various lighter compositions, combined with his occasional visits to the opera set the foundation for his greater musical knowledge. At the Stadtkonvikt, Schubert was introduced to the overtures and symphonies of Mozart. In October 1808, he became a pupil at the Stadtkonvikt (Imperial seminary) through a choir scholarship. Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. Schubert wrote many of his early string quartets for this ensemble. He also played the viola in the family string quartet, with brothers Ferdinand and Ignaz on violin and his father on the cello. Holzer's lessons seem to have mainly consisted of conversations and expressions of admiration and the boy gained more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he had the opportunity to practice on better instruments. At the age of seven, Schubert began receiving lessons from Michael Holzer, the local church organist and choirmaster. His father continued to teach him the basics of the violin, and his brother Ignaz gave him piano lessons. His formal musical education also started around the same time. He was not a musician of fame or with formal training, but he taught his son some elements of music.Īt the age of five, Schubert began receiving regular instruction from his father and a year later was enrolled at his father's school. Their father was a well-known teacher, and his school in Lichtental, a part of Vienna's 9th district, was well attended. Of Franz Theodor's fourteen children (one illegitimate child was born in 1783), nine died in infancy five survived. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster his mother, Elisabeth Vietz, was the daughter of a Silesian master locksmith, and had also been a housemaid for a Viennese family prior to her marriage. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, on 31 January 1797. Today, Schubert is seen as one of the leading exponents of the early Romantic era in music and he remains one of the most frequently performed composers. Franz Liszt, Robert Schumann, Johannes Brahms and Felix Mendelssohn, among others, discovered and championed his works in the 19th century. Appreciation of Schubert's music during his lifetime was limited, but interest in his work increased significantly in the decades following his death. In a short lifespan of just 31 years, Schubert was a prolific composer, writing some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. They operate on 115-volt a.c.Franz Peter Schubert, 31 January 1797 – 19 November 1828) was an Austrian composer. Both the Tunesmith and Dynabeat include hand some, simulated-leather carrying cases with removable covers. It's price is $149.50 in kit form and $189.50 assembled. Working steadily, you can complete it over a weekend. The Tunesmith is a relatively easy assembly job, simpler than the Dynabeat. You can also tune the organ to match any other instrument you're playing it with. Another allows you to add a mellow vibrato effect. One knob gives you a choice of different organ voices like trumpet, flute, oboe, violin and cello. You can't press several keys simultaneously to create chords.Ī control panel on the Tunesmith, operated with your left hand, lets you vary the character of the notes as you play them. The only limitation is that you must play the notes singly, one at a time. Although not a full-fledged electronic organ, it produces organlike tones from a 32 note, 2½-octave keyboard. "Anyone who can tap out simple tunes with one finger on the piano can play the Tunesmith, also made by Schober. Uses standard USA/Canada voltage (105-120V) with two-prong power cord.įrom Popular Mechanics magazine December 1969: It's mainly of interest for its vintage electronic components and dials. Should be an easy fix for someone who knows a little about electronics as it's all spelled out in the documentation. The vibrato doesn't seem to work correctly. You have to start from the top note and go in order. It's difficult to tune because each key has its own potentiometer (some are under the keybed) and they are linked and effect subsequent tuners. Includes a 24-page "Owner's Manual", 16-page "Assembly Instructions" (with images and parts list), "Correction Notice", and "Information About Transistors, Diodes, Wire, and Resistors" 2-sided sheet. It looks like a piece of scientific or military equipment. Very early (and simple) mono synth with six voices and vibrato.
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